Passage of the Spiral is a film by Puerto Rican artist Natalia Lassalle-Morillo. Based in the small town of Santo Domingo Yanhuiltán in the Mexican state of Oaxaca, it is a portrait of a place. The film is rooted in the stories of local youth who are artists and actors working with lauded theatre collective Lagartijas Tiradas al Sol via an artistic and pedagogical workshop entitled Proyecto Yivi. From this central point, the film curves outwards to include an intergenerational cast of characters who, through interviews, share from their own life experiences. The landscape of the Mixteca Region becomes an important protagonist and holder of truths as the film expands north to California. University students from CalArts in Los Angeles collaborate with youth to collectively work on the play El Camino Donde Nosotros Lloramos, the story of which nests within, and blurs the boundaries between, the spaces of theatre, film, and reality. Acting and collective storytelling are espoused by the community as a therapeutic vehicle and north star to explore personal and collective relationships with the Mexico-United States border— one that has plagued the relationship between the two countries and the lives of innumerable people and families. It is the same border that consumed the life and work of Chicana scholar and poet Gloria Anzaldúa. Her poem, “New Speakers,” which this year’s festival uses as a thematic jumping-off point, is a poetic parallel to Passage of the Spiral –both emphasizing the power of words and collectivity. As Natalia brings forth a community immersed in the potential of the theatre space as a liberating commons, she shares a transnational story that is, essentially, not her own, foregrounding the politics of storytelling in order to question who has the right to tell a story and why. (Curated by Heather Canlas Rigg)
Images Festival is a platform for the exhibition and discourse of independent film and media art. Created in 1987 as an alternative to the only other Toronto film festival at the time, Images has spent the last 36 years presenting media works that are challenging in their form and content. The Festival showcases the intersection of emerging and established practices and invites open critical dialogue in the film and media arts community around the political histories of moving image production, distribution, exhibition, and representation.